In the early years of the Athens, Georgia art/dace/proto-indie/"we invented college rock" weirdness scene, then emerged what we now know as household music natives such as the obvious top two: R.E.M. and the B-52's. What people often forget or never had the chance to learn or experience was the fast moving third place local act who called themselves "Pylon".
Pylon were the states' answer to the turn of the eighties dance punk / new wave sounds of the U.K. à la groups such as Gang of Four or Au Pairs. Flash forward thirty years to the indie underground in America, introduce a cover by Atlanta's Deerhunter and another track by NYC music critic Sash Frere-Jones a.k.a "Calvinist", and you have the ingredients to a really hip discussion on relevant and skillful alternative rock. Both tracks are satisfactory in production and sonically pleasing in execution.
Deerhunter's Bradford Cox may have only been a twinkle in his mother's eye when Pylon released their debut single "Cool" almost exactly two years before his birth, but Cox's influence is evident in his music, which, most likely is a result of growing up in the very town that spawned Pylon. His take on "Cool" isn't too far off from the original, or at least his comfort and ease in relaying the impression that the song had on him isn't too far off.
"Calvinist", with the help of Sleigh Bell's Alexis Krauss, chose the track "Yo-Yo" which appeared over three years later than "Cool" on Pylon's 1983 LP Chomp More. Pylon was picking up speed at this point (but unfortunately heading towards a lack-luster career outro. The Calvinist version has a more modern minimalist indie dance feel to it. The vocals, like the vocals on the original track stand out as very strong and listenable.
My only complaints about this release are as follows: 1) I wish this was available as a 12" (and I'm sure I'm speaking on part of many people with that), and 2) I wish this single was more affordable (but the green-eyed industry is clearly to blame for that one, not the groups).